|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
Nicolae Tonitza
(Romanian pronunciation: [nikoˈla.e toˈnit͡sa]; April 13, 1886 - February 27, 1940) was a Romanian painter, engraver, lithographer, journalist and art critic. Drawing inspiration from Post-impressionism and Expressionism, he had a major role in introducing modernist guidelines to local art.
Born in Bârlad, he left his home town in 1902 in order to attend the Iaşi National School of Fine Arts, where he had among his teachers Gheorghe Popovici and Emanoil Bardasare.The following year he visited Italy together with University of Bucharest students of archeology under the direction of Grigore Tocilescu.During that period, together with some of his fellow students, Tonitza painted the walls of Grozeşti church.
In 1908 he left for Munich, where he attended the Royal Academy of Fine Arts; he began publishing political cartoons in Furnica, and contributing art criticism articles to Arta Română. Tonitza spent the following three years in Paris, where he visited artists' studios, and studied famous paintings.Although the young artist's creation would initially conform to the prevalent style, his gift for colour and his personal touch would eventually lead him towards experiment.Throughout his life, he remained committed to the Munich School, hailing its innovative style over the supposedly "obscure imitators of Matisse".
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Omul din mina
ulei pe carton, 45x35 cm, semnat dreapta jos, cu ocru, N. Tonitza.
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Cap de copil
Nicolae Tonitza (1886 - 1940) - Cap de copil, ulei pe carton, deţinător Muzeul de Artă din Constanţa, România.
Date n/a
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Spanish Woman
oil on cardboard, 55 x 45 cm.
Date 1927-1928
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Afize
ulei pe carton, 50 x 41,5 cm
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Nicolae Tonitza
Date 1923-1925
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Micuta tataroaica
Micuţa tătăroaică.
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Fetita cu fular
Fetiţa cu fular.
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Fata in roz.
Fata în roz.
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Fetita
Fetiţă.
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Studiu pentru un portret.
Studiu pentru un portret.
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Fata
Fata
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Nicolae Tonitza
Fetiţa cu fular.
Date n/a
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Nicolae Tonitza
Nicolae Tonitza
Nicolae Tonitza (1886 - 1940) - Micuţa tătăroaică.
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Nicolae Tonitza
|
(Romanian pronunciation: [nikoˈla.e toˈnit͡sa]; April 13, 1886 - February 27, 1940) was a Romanian painter, engraver, lithographer, journalist and art critic. Drawing inspiration from Post-impressionism and Expressionism, he had a major role in introducing modernist guidelines to local art.
Born in Bârlad, he left his home town in 1902 in order to attend the Iaşi National School of Fine Arts, where he had among his teachers Gheorghe Popovici and Emanoil Bardasare.The following year he visited Italy together with University of Bucharest students of archeology under the direction of Grigore Tocilescu.During that period, together with some of his fellow students, Tonitza painted the walls of Grozeşti church.
In 1908 he left for Munich, where he attended the Royal Academy of Fine Arts; he began publishing political cartoons in Furnica, and contributing art criticism articles to Arta Română. Tonitza spent the following three years in Paris, where he visited artists' studios, and studied famous paintings.Although the young artist's creation would initially conform to the prevalent style, his gift for colour and his personal touch would eventually lead him towards experiment.Throughout his life, he remained committed to the Munich School, hailing its innovative style over the supposedly "obscure imitators of Matisse".
|
|
|
|
|
|
|
|
